Thursday 13 January 2011

Unit 1.2 Careers and Courses in the Creative & Media (Ms dowdie presentation)

Producer


Producers are highly self-motivated individuals, who have the final responsibility for all aspects of a film's production. He or she is frequently the first person to become involved in a project; they participate directly in all the main producing phases; and see the project through production, to post-production, marketing and distribution. The Producer's is role to turn story ideas into profitable cinematic entertainment, and to persuade others to share in his or her commercial and creative vision. Producers usually report to the production company, or to the Executive Producers appointed to supervise the production on behalf of the financiers and Distributors.


Responsibilities

Producers have overall control on every aspect of a film's production, bringing together the Screenwriters, Director, cast, finances and production team. Their primary responsibility is to foster an environment in which the creative talents of the cast and crew can flourish - Producers are therefore ultimately accountable for the success of t
he finished film. Producers many responsibilities span all four phases of production:

· Development - Producers are often responsible for coming up with the underlying premise of a production, or for selecting the screenplay. Producers secure the necessary rights, select the screenwriter and story editing team, raise the development financing, and supervise the development process.
· Pre-product
ion - Producers typically bring together the key members of the creative team, including the Director, Cinematographer and principal cast..
Post-production and marketing - Producers are expected to liaise personally with post-production personnel, including the Editor, Composer, and Visual Effects staff. They then con
sult with all creative and financial personnel on the production of the answer (or final) print, and they are usually involved with the financial and distribution entities in planning the marketing and distribution of the finished film.


University Courses


Ravensbourne College of Design and Technology


CONTENT DEVELOPMENT


AND PRODUCTION


BA (Hons)


Two Year Fast Track Degree Course


The BA (Hons) Content Development and Production is a practical,


vocational production course that focuses on generating and


developing ideas into professional and creative content for


traditional broadcast programmes and multiplatform content.


The course is a two year fast track degree course that has been


running successfully for over 10 years and with a solid record


in gaining meaningful employment for its graduates.


The course focuses on developing production skills in programme


making for television and other platforms – for the web and


IPTV, interactive TV and mobile.



Entry Requirements


5 GCSEs (A-C) or equivalent


(preferably including English,


Media/Technology), and at


least one of the following or equivalent UK


2 A Levels (A-C);


4 AS Levels (A-C);


2 vocational A Levels (A-C);


Level 3 Foundation Diploma


or National Diploma; Advanced


Diploma (A-C) or International


Baccalaureate (24 points or


above). Also, an interview and


a portfolio, showreel or other


indicator of creative or technical


practice where appropriate



Camera Operator


Camera Operators usually begin work at the end of pre–production and, if the budget allows, attend the technical recces with other Heads of Department..


Camera Operators ensure that the camera and associated equipment are prepared for the required set–ups, always keeping alert for any last–minute changes. They must be able to multi–task, and to watch, listen and think on their feet while carrying out complex technical tasks. They liaise closely with the Director, fine–tuning the exact details of each shot, which often involves suggesting creative improvements or alternatives. They supervise the logistics of moving the camera, and oversee the Camera maintenance work carried out by the Focus Puller and the 2nd AC.

Camera Operators work closely with performers, guiding them on what can and cannot be seen by the camera. As it is now common for DoPs to also operate the camera on smaller films, many Camera Operators specialise in the operation of other precision equipment, such as Remote Heads or Steadicam, and most also work on commercials, promos and television drama. On bigger budget films, the role of the Camera Operator remains a crucial link between the creative ambitions of the Director, and other major departments, including Art, Hair and Make–Up and Costume.


University Courses


Brunel University


BA Film and Television


Entry requirements; 3 A levels BCC 240 points IB 24 points


The BA (Hons) in Film & Television Production is a practical production-based course which allows students to focus on developing the skills demanded of planning, managing, shooting and editing films of various genres and for different audiences. The theory that is embedded within the course is delivered within the context of production.



Broadcast Journalist.




Broadcast Journalism is the collection, verification and analysis of information about events which affect people, and the broadcast and publication of that information in a fair, accurate, impartial and balanced way to fulfil the public's right to know in a democratic society. This involves a variety of media including television, radio, the Internet and wireless devices. Broadcast Journalists working in television work in a variety of genres including news, current affairs, or documentaries. They may be employed by broadcasting companies, or work on a freelance basis.


Broadcast Journalists may be studio or office-based, or work in regional, national or international broadcasters' offices. They may also work from home, utilising broadband and other technology to interface with broadcasters and other employers. When working on news items, they must be prepared to travel, sometimes long distances, at any hour of the day or night, to gather the relevant information. They are responsible for generating ideas, and for assessing the value and accuracy of ideas and information from other sources, researching background data, and presenting items for consideration by Editors, Commissioners, or other decision makers



University Courses


University of Leeds


BA Broadcast Journalism


Entry requirements: 3 Alevels BBB. IB: 32 points overall.


A hands-on course for prospective journalists that features


intensive practical broadcast training alongside academic


scrutiny of the media business. You will learn how to research,


report and produce news in the fast-changing multimedia age,


developing stories for Radio,Television and Online output.


Documentary production skills are taught, and you can choose


to specialise in sports or science journalism during one final


year module.




Transmission Engineer



Transmission Engineers (sometimes known as Operations Managers) supervise the transmission of all genres of television programmes, working in the Master Control Room (MCR). They are responsible for the overall, day-to-day management of broadcasters' transmission facilities. This is a supervisory role, overseeing all incoming feeds from Outside Broadcasts and other sources, and all outgoing transmissions. They are usually employees of broadcasting companies.


Transmission Engineers work in MCRs, managing all staff in transmission areas, scheduling shifts and work patterns, and recruiting and selecting freelance personnel when required. They are responsible for effective communication between line management and transmission personnel. They liaise with other departments about scheduling workflow, and to negotiate the use of facilities and equipment. They ensure that safety plans and risk assessments have been prepared, and are adhered to, in the transmission areas. Transmission Engineers also work with other MCR personnel to train new operational staff.




University Courses



Queen Mary University of London


BEng Electronic Engineering


Entry Requirements;


A levels 260-280 for BEng programmes. IB 34 points BTEC DMM


Make Up Artist



Make-up and Hair Designers usually work on feature films and high budget television dramas and must be proficient in both make-up and hair techniques. Make-up and Hair are key elements in the overall design of films or television productions, creating a look for the characters in relation to social class, and time periods, and any other elements required to create the desired illusion. Make-up and Hair Designers are responsible for the overall design, application, continuity and care of make-up and hair throughout the pre-production an Increased multi-skilling in the UK film and television industries has meant that personnel are required to be proficient in both make-up and hair, and the departments are often merged. Make Up and Hair Designers' responsibilities vary depending on production needs.



University Courses


The Arts Institute at Bournemouth


Make Up for Media and Performance


2 year full-time Foundation Degree


Entry requirements 1 A Level


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